sonogram goes a step further to keep the comets in the illusion. On occasion, we wondered if the magazine was a magazine Webdemusica musical philosophy. And maybe, in the background but quite possibly not in form. Gradually we move wing fabulous idea to build relationships, hitherto utopian, between music and other fields of art and science. Back then, I welcome Sonograma 02 and my sincere thanks to all those who actively or passively, are with us through this difficult world of sound excitement.
Music Class is an interesting website full of resources: Teachers
music from the Costa Tropical de Granada (initially and now in Spain) have created this website for the purpose of exchanging ideas, resources, materials, etc. and help each other to provide us with the daily task of providing music lessons. This site is open to anyone who has something to say or to contribute to the Teaching of Music Education. Join our forums! provide us with your ideas! Public news of interest to create useful musical! Promote musical performances and competitions! ... Convert this site in your place of work and exchange ... all stand to gain ... and of course the MUSIC.
is quite active and I personally find very interesting all the resources of their trade section: harmonization , audios , instrumentation, and the most interesting, many musicograma , scores and various resources.
Congratulations to the authors and colleagues who share their resources ... tod @ s if the same thing we did not need much to publishers ....
I just got the great news that finally, after several years of paperwork, study and much uncertainty, successfully complete the approval process of the Argentine title of master of music education that I brought under my arm when I decided to leave everything and try your luck in the motherland. It was a long time he had left the classroom, and doubts were increasing, but at last I see, again, the real possibility of returning to work for all, almost, as I can work at home, teaching music school.
Excuse the off topic, but I'm so happy I could not help but share. Best Regards.
Margarito Tereré fue un delicioso personaje infantil de la Argentina . Era un yacaré que tenía toda una tropa de amigos, casi todos animales como él, y que cada uno tenía su música característica, que era también característica de la música folklórica de alguna zona del país. Yo aún me recuerdo pasando una y otra vez el diminuto disco de vinilo en el que se abigarraban los pocos temas que podían entrar en sus dos caras. Era, a nivel artístico, un producto de esos que hacen respetar a quien los ha creado, y ese respeto pasa por el respeto que los creadores tuvieron a sus destinatarios, los children.
Another good resource to have on hand if multiculturalism in the classroom is: Here disk (worth having) .
These are the results of the survey that we conducted among readers of this blog:
fononimia Do you use as a teaching resource?
Yes, mainly that of Kodály - 64 votes (42%)
Yes, mainly that of Ward - 5 votes (3%)
Yes, the previous two as my goals - 9 votes (5 %)
No, I do not offer any advantage and use other support - 9 votes (5%)
prefer to focus on conventional language - 14 votes (9%)
Fononimia "? What is that? - 50 votes (33%)
This survey can discard several ideas: fononimia league wins by a landslide Kodály. Probably because Ward is not known, although many times we used intuitively, we know that is attributed to the teacher.
A striking fact is the high degree of awareness of this educational resource, which could be explained by the reason that not all visitors of this blog are specialist teachers in music education. That is why I I decided to write this post, because to know the fononimia aliens! : D (NOTE SPOILERS: Contains details of the plot of the movie "Close Encounters of the Third Phase" (1977) by Steven Spielberg)
This film insists the myth of music as universal language , thanks to which we could begin to communicate in an alleged encounter with aliens. It's a very nice idea, but ... How can we assume that the alien is tonal music, when not even all terrestrial music meets this requirement? Well, I'm ranting, but it would be fun to speculate with our students: What would the music of aliens? Would music? Why the listen? And end up composing music "alien" with Orff instruments ^ _ ^
For blog readers who do not know what the fononimia, explained briefly that are a sign language, designating each of the degrees of the scale and tonal functions of the same, since it is based on the notation. In this picture you look at the different signs of the Kodaly fononimia:
The Kodály method, first grade will always call "do", is in the key that is: is what we call the "do mobile", and so the teacher helps to sing any song in a different key though is "weird."
I know teachers who do not find their advantages, and personally, in my experience, the fononimia use as an aid to intonation, the pitch, and even when teaching a score for flute, yielding very good results. It is also interesting to make songs for two voices, singing a group of notes indicates one hand, and another group on the other hand. Requires some coordination, but like everything, with a little practice is fairly easy.
When affixing the sign of the corresponding note helps the child up or down the arm to note the relative height of the sound. For example, the gravely do I place the height of my navel, my chest to the sun in front of the mouth, and the high C above the forehead.
The fononimia without these hand signals, simply indicating the relative height of the sounds lowering or raising your hand, which is attributed to Ward. "You use the
fononimia? Why and when? What advantages do you find? As always, we can enrich all arguing in the comments.
I will not impose citing articles from other blogs, especially Oddstrument.com because only recently did the same. But I feel great this resource.
Carry building musical instruments to elementary classroom is sometimes difficult because they do not have adequate tools or materials, nor is it desirable that students sometimes use tools that can be dangerous. So this kind of pipe organ bellows is very interesting as material used as ordinary paper and is manufactured by cutting, folding and pasting any cutout. I discovered via oddstrument , which links to the web Flying Pig, models cutouts very interesting art class. We try to change the length of the tubes, for example ... certainly opens a new avenue to investigate for the construction of cotidiáfonos.
In Webdemusica, shows a new space: Library. This is a great review written by the poet, writer and musicologist, Ramón Andrés. Each week, we'll have new reviews, new words to evoke emotions with reading.
Nuevamente, gracias a The Oddstrument Collection , podemos ver un simpático video de construcción de instrumentos tradicionales mediante medios y materiales que no lo son. Musicalmente, creo que está perfecto, y además have the detail to demonstrate a procedure that is widely used in electro-ambient music, which is the combination of recordings made at the time with live music. Very entertaining video, is this:
sonogram goes a step further to keep the comets in the illusion. On occasion, we wondered if the magazine was a magazine Webdemusica musical philosophy. And maybe, in the background but quite possibly not in form. 
